Thursday, June 18, 2009

Ancient Astronauts

Holy crap its been too long. I'm back with a strong endorsement of Ancient Astronauts. AA is one of ESL Music's newest artists, and they are a downtempo treat. Hip-hop inspired beats from Germany and production and guest vocals from Pharcyde legends. Check it out: "Ancient Astronauts' debut album, titled "We Are To Answer," features a variety of new sonic collaborators including Bootie Brown and Imani of legendary hip hop group The Pharcyde, Azeem, Tippa Irie, Bajka, Phat Old Mamas, Ulf Stricker, Raashan Ahmad and Entropik. A block-rockin’ boom-bappin’ sonic tour-de-force, "We Are to Answer" is a musical vision of life on Earth and beyond!"

Sunday, September 28, 2008

Nude vs. Flashbaxx

I hadn't heard of Nude before hearing Flashbaxx's downtempo take on some serious drum and bass. I've only heard Flashbaxx's original work, and their remixes of others' music stays true to their "Jack of all Trades" form. I love the way Flashbaxx takes Nude's hard hitting bass hooks and takes it down a notch to the downtempo listeners comfort zone.

I found myself appreciating not only the way Flashbaxx created chilled treats, but Nude's foundation of jungle beats was still stuck in my head. I had to listen to Nude first - and I found myself hooked on Nude for a good while. Click the link above to listen to the remixes, then click this link to listen to Nude's originals. It'll depend on your mood, but I'm lovin both versions.

Wednesday, September 24, 2008

Language of the World - Dancing

Check this video of "Dancing" - a random dude named Matt gets sent around the world by his company and decides to do something silly with it. Nearly 11 million people have seen this video and its been sent to me dozens of times in the past months. Everytime I watch it i feel at peace. The music grabs me and helps me find tremendous meaning in this video. The soundtrack nearly brings me to tears - its a wonderful and emotional track by Garry Schyman titled "Praan" (written especially for this video)

Sunday, September 21, 2008

Mystic Man & Eshamanjaro Remix - check the "Rambler"

Reso and Hektagon remix Mystic Man & Eshamanjaro’s jazzy and rambling breaks and hip-hop hooks in their own respective style. Reso’s drum and bass influence deconstructs “Minds I” to deliver an extroverted electronica remix of what once was a reflective downtempo self-exploration. Meanwhile, Hektagon remixes “The Rambler” – an appropriate track considering Hektagon’s specialty in mixing dub and breakbeats while staying true to the track’s original intent.

Reso has a tendency to deconstruct. Many of his remixes carry only a sliver of semblance of the original track. True to form, Reso’s remix of “Minds I” only takes broken loops of the original “Minds I” vocal hook and adds completely new techno beats. Even listeners who know “Minds I” wouldn’t recognize Reso’s remix. Reso adds a whole new dimension and removes the introspective tone of the original. The electronica spin creates a new wonder and drum and bass amazement. It’s a techno track now, devoid of what once was “Mind’s I.”

Hektagon tends to hold on to the spirit of the original tracks he remixes. On “The Rambler” Vocal Remix, Hektagon masterfully shifts the song’s energy between dub, techno and jazz while keeping the tumbling drums, big band horns and pinball effects. This remix cuts the best vocal slices from Eshamanjaro and remixes Mystic Man’s beats to create a new flow shifts between a trip-hop lounge vibe and hip hop showcase.

A final remix, Hektagon’s “Rambler” Dub Remix, focuses on the beats and removes the track’s vocals. The original version had a rambling vocal flow that was accentuated by Eshamanjaro’s rhymes. This version makes the music ramble with purpose, creating an engaging and fresh take on an already unique sound.


(originally written by Downbeatscape for ProperlyChilled.com)

Friday, September 19, 2008

Global Noize - fantastic intro to downtempo jazz and collaboration worth listening to

Downtempo listeners are open to the wonders of the musical world. For those who have not yet stepped into jazz, Global Noize offers a fantastic bridge between a traditional electronica perception of downtempo to the foundation of most contemporary American music (JAZZ!) by creating an album that melds electro-funk, trip-hop, jazz and eclectic world influences. As globalization makes its impact on U.S. culture through technology, the economy and pop culture, artists, such as Global Noize, are increasingly blending sounds to blur the lines of what we know as traditional music genres.

Grammy Award-winning producer and keyboardist Jason Miles joins with veteran jazz turntablist DJ Logic to create Global Noize. Through Global Noize, veteran musicians contribute their unique styles to create a journey through global sounds. Members and contributors include Me’shell Ndegeocello, Billy Martin (Medeski, Martin & Wood), Vernon Reid (Living Colour), John Popper (Blues Traveler) Cyro Baptista (Herbie Hancock), Bernie Worrell (Talking Heads, Parliament Funk), Karl Denson (Karl Denson’s Tiny Universe, Lenny Kravtiz) and more.

Global Noize’s recent self-titled release recognizes influences from around the world. “A Jam For Joe” and “Bollywood” mix many genres including funk, electronica and jazz and ties it all together with Indian subtleties, beats and vocals from Indian crooner Falu. On “Spice Island,” Caribbean steel drums steal DJ Logic’s thunder as he scratches along with the light twang of steel beats and a smooth, shining jazz keyboard. “Spice Island” is like a Jimmy Buffet concert commandeered by local Caribbean musicians.

The Arab nations even get a nod on “The Souk,” a lounging track build around a deep bass beat and downtempo keyboard sequence. Falu brings Indian vocals to the mix and though her influence tips this towards India, the Arab influence cannot be missed, most literally, by the meaning of the word “souk” – a commercial section of cities that were originally created by roaming gypsies and Arab traders. “Quero Dancer” is a jazzy dance track that could steady the pulse of any Ibiza dance clubber. It helps that “Quero Dancer” is sung in Spanish (or Portuguese? as one reviewer notes). This is a true lounge track with dreamy keyboards and jazz guitar that complete the Southwestern European vibe.

And of course, we cannot forget the influence of the U.S. of A. Very often, when music is described, you never hear about its American vibe. World music often gets the most attention through written word. Perhaps rightfully so. Though we must remember the U.S. root of Global Noize: it’s Jazz. Every track is built on this foundation, though “Planetary Beats” and “Spin Cycle” are two of the jazziest tracks at their core, with nearly all instruments (drums, horns, guitar, keyboard) kicking a funk or jazz beat. Both tracks also highlight DJ Logic’s turnablist maneuvers.

Global Noize is a successful collaboration of musicians birthed from various world influences. At its core, it remains true to its jazz “raison d’etre.” The musicians set the stage, and listeners can identify all the global noise they want.

(Review written by Downbeatscape for ProperlyChilled.com)

Thursday, September 4, 2008

Thievery Corporation - Autographed New Album Giveaway!

Properlychilled.com presents the Thievery Corporation Radio Retaliation Autographed Album Giveaway!

Check it, win it, love it. Thievery on the loose...

Blog Archive